Independence Day

Nicola has been published by the BIG publishing houses several times. She won the Betty Trask Award for a first novel with her Nottingham based gritty and eloquent The Killing Jar. She’s now going down the independent publishing route with what it bound to be a well written, edgy and intelligent trilogy of tales. Available on kindle from 17 July.

nicola monaghan

Back in May, I wrote a little here about my first foray into Independent Publishing, or what would have been called self-publishing until recent years. I’ve set up my own imprint, which I’ve called  Blue Morpho Press (in honour of the wonderful butterfly MORPH who is a featurTroll-Finale of The Killing Jar, my first novel) but I am the only employee/director/general dogsbody of this new, exciting and vibrant publishing house.

Over the course of the last year, I’ve been more and more convinced by indie/self publishing as a viable route for my writing. I’ve attended workshops, spoken to writers working in all sorts of ways, heard convincing arguments on both sides of this ‘fence’. The more I hear, the more convinced I am that for the books I want to write, at least some kind of hybrid model is likely to work best for me.

This July, my first…

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Former course leader speaks out

Do hop over to Nicola Monaghan’s site to read Let me tell you a story, the way creative writers do. Nicola also writes and works as Niki Valentine. She is now a lecturer at De Montfort University, Leicester.

Niki is a woman of integrity, ability, encouragement and compassion, and for whom I have great respect and affection. As she writes in her article, she built on the sure foundations of the early years of Nottingham’s BA (Hons) Creative and Professional Writing course and offered us opportunities many writers crave, not just through teaching but by bringing in writers, agents and publishers. This enabled us to develop a realistic understanding of the writing life and the writing industries; we had the rare chance to network with such people, pitch to them, receive critiques of our writing and their invaluable advice.

Lucky De Montfort!

How to kick a student when she/he is down

In the last post (how ironic) about the course, I said I’d write were an understandable reason given for the closure of the University of Nottingham’s BA (Hons) Creative and Professional Writing course, but the real news is that it hasn’t been and the students have been treated abysmally. Do read this eloquent piece by current student Kim Jamison about the meeting they attended. Jubilee Campus - Nottingham UniversitySo soon after the horrors of France, the students were ticked off for discussing the closure on Facebook. This was used as a reason for not saying more to them at the meeting. (Expletives deleted!) An aptly named commenter, Michael, in the student magazine Impact, described the course as Mickey Mouse. He appears not to know that external examiners ensure the academic standard desired by the University across the board is reached. At one time the examiner thought marks being awarded to CPW students were too high. On further investigation the examiner decided this was not the case, rather that the work was of an exceptionally high calibre. One alumna of CPW, who graduated from Nottingham some years ago with a BSc in Psychology, told me she found parity in the academic levels of both courses. I am angry about the injustice of it all, and profoundly sad; sad for the current students and staff, sad for the former course leader*, who seems to be being scapegoated, sad because this was a great course that enriched the lives of so many people and contributed hugely to the literary life of Nottingham, sad that the university I felt proud to be part of has let these students down so badly. *If you haven’t read Nicola Monaghan’s award winning novel The Killing Jar, do. She also writes as Niki Valentine, such is her skill and flexibility!

Oh the irony of it all

university_of_nottinghamThe University of Nottingham has taken the extraordinary decision to wind down and close the profitable and over-subscribed BA (Hons) Creative and Professional Writing course (CPW).

This closure follows that of two other honours BA courses in Humanities and Fine Arts. None of the reasons given so far by the University explain the decision. Though we (current and former students) understand and agree that the course is wrongly housed in the School of Education, we are puzzled as to why it has not been moved elsewhere given there are options such as the School of English or the Department of Culture, Film and Media. One reason the University gives for closure is staff changes. The course leader has moved to another university, but she gave six months notice and no attempt was made to recruit a replacement. Here’s a thing, though. The other staff remain in place and, if employed for more hours, could run it competently and creatively, as they were doing before the now departed leader was appointed.

In the absence of an “Ah yes, that makes sense” explanation, there is outrage and indignation about the closure flying around social and other media. The current students are unnerved and have been treated badly. They were sent a patronising ‘pastoral’ missive about disappointment, thankfully of such length most would not read it. UCAS applicants for 2015 have been told they need to look for something else, somewhere else.

A verb comes to mind – devalue. Axing under such circumstances and devoid of rationality devalues the degree itself, as though the university were saying the course has not come up to a perceived standard of something or another, away with it. In turn, that devalues the achievement of current and former students and their perception of the value others might place on their academic achievement, perhaps even employability.

For the last three years a student from CPW has won the University Prize for highest marks in an undergraduate degree course within the faculty. 

And what about the course tutors? The university employs most of them on an hourly basis rather than creating proper part or full-time posts. They are not paid for all the extra hours they give generously to conversations with students before or after class and in email correspondence. They are not employed far enough in advance of a module’s commencement to provide material for reformatting within the University for disabled students such as myself. Unfailingly they did this in their own, unpaid time, for which I am extremely grateful. In effect the tutors are workers on zero hours contracts, trying to work out whether they will or won’t be asked to teach enough to earn a living, should or shouldn’t take up work elsewhere in case the call doesn’t come.

The University is fully supportive of Nottingham’s current bid to become a UNESCO City of Literature. The idea for which came from a graduate of the course, Pippa Hennessy, and extends Stephen Lowe’s idea of Nottingham becoming a City of LettersPippa is now the Development Director of the thriving Nottingham Writers’ Studio in a city and locale steeped in Bryon, Lawrence, Sillitoe and contemporary writers such as Jon McGregor, Nicola Monaghan/Valentine, Alison Moore, Amanda Whittington, Michael Eaton and many others.

The arts are not a luxury. They are a crucial resource that we cannot afford to lose.

It seems the arts are being devalued by the day, along with life-long learning and education for education’s sake. Substitute Creative and Professional writing for Fine Arts in David Ainley’s excellent article, DIScontinutation about the closure of the Fine Arts course and be worried.